<blockquote dir="ltr" style="MARGIN-RIGHT: 0px;"><blockquote dir="ltr" style="MARGIN-RIGHT: 0px;"><blockquote dir="ltr" style="MARGIN-RIGHT: 0px;"><p style="LINE-HEIGHT: 160%;"><span lang="EN-US" style="FONT-SIZE: 14pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;"><span style="mso-spacerun: yes;"> </span></span><span style="FONT-SIZE: 14pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312;">刘姥姥拿起箸来,只觉不听使,又说道:“这里的鸡儿也俊,下的这蛋也小巧,怪俊的。<span lang="EN-US">---------</span>《红楼梦》</span><span style="FONT-SIZE: 14pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Arial; mso-bidi-font-family: Arial;">第四十回 史太君两宴大观园金鸳鸯三宣牙牌令。是为题记。<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p align="center" style="LINE-HEIGHT: 160%; TEXT-ALIGN: center;"><b style="mso-bidi-font-weight: normal;"><span style="FONT-SIZE: 22pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">干净清丽和飘逸其间的灵气</span></b><span lang="EN-US" style="FONT-SIZE: 22pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;"><p></p></span></p><p></p><p></p><p></p><p></p><p align="right" style="WORD-BREAK: break-all; LINE-HEIGHT: 160%; TEXT-ALIGN: right;"><span lang="EN-US" style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: Verdana; mso-fareast-font-family: 仿宋_GB2312;"><span style="mso-spacerun: yes;"> </span> </span><span lang="EN-US" style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">-----------</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">读大漠诗歌有感兼谈我心目中的诗歌<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p style="TEXT-INDENT: 45pt; LINE-HEIGHT: 160%; mso-char-indent-count: 3.0;"><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">红楼的品评之于诗歌,亦如刘姥姥用</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312;">筷子</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">夹鹌鹑蛋一般拿捏不准,且有误作鸡子之嫌。但每每阅读大漠的诗歌,那流动其间透脱而出的灵气,扑面而来的明晰意象,让本人受到某种激发,忍不住直抒胸臆说个一二三来,往雅处讲这也是所谓的共鸣吧。<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p style="TEXT-INDENT: 51.45pt; LINE-HEIGHT: 160%; mso-char-indent-count: 3.43;"><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana; mso-bidi-font-family: 宋体;">大漠的作品以诗歌居多,但红楼并没有将其当作诗人来看,她没有当下诗人</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">在诗里面跋涉的艰辛、没有</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana; mso-bidi-font-family: 宋体;">被边缘化的苦恼以及对诗歌前途的深切忧虑,其次大漠爱好广泛,诗歌、散文、小说、杂文均都涉猎,而诗歌只是她生活艺术化的自然流泻,纯属个人爱好的一种。没有为赋新词强说愁的情结,与诗人们相比大漠的笔触来的更轻松自然。现实生活中的细节感悟,亲情、爱情、友情、连同那些曾经尘封的浪漫,轻轻地翻起翻起,</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">清丽空灵之性,阴柔之美存乎其间。<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p style="TEXT-INDENT: 51.45pt; LINE-HEIGHT: 160%; mso-char-indent-count: 3.43;"><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">语言是诗歌的栖身之所,大漠的用语干净准确且温润如玉,一如她的诗歌所营造出的种种意境,拒绝生硬和拽词,远离乖张凌厉,</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana; mso-bidi-font-family: 宋体;">将人的心浸泡得软软的。</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">更重要的是,大漠的诗歌意象鲜明,有脉络可寻,无跳跃式思维,能让赏者跟上步伐,</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana; mso-bidi-font-family: 宋体;">并极易产生共鸣。诗歌的语言和意象的表达是通过自筑高台、高深莫测中让人敬仰的接受宣教,还是通过简单、明了、干净的传达更能体现诗歌本身?近年来对“梨花体”的推波逐澜及其恶搞,可以说是两者争夺话语权的杂糅结果,前者是某些人变态的矫枉过正,后者的恶搞则是以攻为守来护卫所谓的“神圣”高台领地。较之起来,红楼还是喜欢诗人们行走大地上用平和质朴的语言来表达生活中的诗意。我想这里面蕴含着一个最简单的道理,诗歌不应成为高度个人化的东西和个人私藏把玩的瓷器,它日后要鲜活和主流起来的前提是它得让大多数让人看的懂。</span><span lang="EN-US" style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;"><p></p></span></p><p></p><p></p><p></p><p></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt;"><span lang="EN-US" style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;"><span style="mso-spacerun: yes;"> </span></span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">对于诗歌赏析,从某种意义上来讲是心灵的沟通与碰撞,我本人更更愿意透过文字去触摸大漠放歌丰富的内心以灵魂。当然我不否认这种耐心探究含有一种对美丽知性女人的欣赏及心仪的心理。大漠的情感是细腻丰沛而多情的,《醉》、《</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-bidi-font-weight: bold;">腻歪</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">》、《别》《</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-bidi-font-weight: bold;">瓷器</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">》、《</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-bidi-font-weight: bold;">这个下午,我只想睡</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">》、《</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-bidi-font-weight: bold;">找心</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">》、《意外》、《曾经》《</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-bidi-font-weight: bold;">启明星和长庚星的爱恋</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">》、《</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-bidi-font-weight: bold;">请让我痛苦的重生》</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">等等无一例处的打上爱的印记,简练的语言透脱出深沉的情感,她深深地遮掩着内心对一种温暖的渴望,却呈现出另一种伤感和落寞。她在诗间让心灵自由起舞,让更为精致的爱情想象成为心灵的安顿之所。当然,除自己老公外她思念的对象虽是确定的意象<span lang="EN-US">,</span>却不会是确定的人,因为大漠生活的真实洒脱并且活在当下,活在真挚和方向感之中。情感丰富的女人允许有梦,有梦的编织生活才会更有彩色。<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 37.5pt; mso-char-indent-count: 2.5;"><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">大漠往往能在最平凡的事物上寻求到意义的突破,且不论是灵感的捕捉还是高度的自觉<span lang="EN-US">,</span>都是令人欣喜的。</span><font size="7"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">如<i style="mso-bidi-font-style: normal;">《</i></span><b><i style="mso-bidi-font-style: normal;"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312;">方向》</span></i></b><i style="mso-bidi-font-style: normal;"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312;">七月五日中午<span lang="EN-US">\</span>我走在街上<span lang="EN-US">\</span>忘记了为一件什么事<span lang="EN-US">\</span>胡乱的奔忙<span lang="EN-US">\</span>一个女人和我穿一样的衣裳<span lang="EN-US">\</span>正穿过人流<span lang="EN-US">\</span>走在我前方<span lang="EN-US">\</span>出租车嘎然的停在她身旁<span lang="EN-US">\</span>看见她摆手<span lang="EN-US">\</span>微笑着<span lang="EN-US">\</span>上了过街天桥<span lang="EN-US">\</span>对面<span lang="EN-US">\</span>才是她的方向<span lang="EN-US">\</span>傍晚的时候<span lang="EN-US">\</span>儿子<span lang="EN-US">\</span>抱着我家小黄<span lang="EN-US">\</span>去到楼下散步<span lang="EN-US">\</span>我抚摸着儿子<span lang="EN-US">\</span>说我爱你<span lang="EN-US">\</span>儿子说<span lang="EN-US">\</span>我爱小黄。</span></i></font><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312;">作者仅仅简洁的截取了日常生活中常见的一个画面,就把关于人生存的无尽意味囊括其中。天天为生活忙碌的我们到底在做什么,我们弄明白了眼前的生活的方向和生命意义的终极方向吗,人的方向感没了是好事还是坏事?作痛苦的苏格拉底还是选择快乐的猪,我们需要的是什么?作者的落脚点是“我”活在了当下,爱儿子,儿子活在了当下,爱小黄。当然,意境的无限会导致解读诗歌的解读意义无限,每个人都有自己的解读及感受,这也是好的诗歌魅力所在。不过,个人以为,将“<span lang="EN-US">\</span>对面<span lang="EN-US">\</span>才是她的方向”这句去掉方向二字,再斟酌一下其它语会更好,因为题目带来鲜明的已足够,不必再重复提及。<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt;"><span lang="EN-US" style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312;"><span style="mso-spacerun: yes;"> </span></span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">大漠一些写爱情或生活场景的小诗,如写给老公的《</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-bidi-font-weight: bold;">腻歪》、《高跟鞋》、《等那天,我做东》含有</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312;">喜剧色彩,寓含著某种诙谐感的话,有时代的动感,</span><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">写得机敏而有风趣,风趣中又飘逸着灵气,给人一种独特的愉悦和美感。</span><i style="mso-bidi-font-style: normal;"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">《</span></i><i style="mso-bidi-font-style: normal;"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312; mso-bidi-font-weight: bold;">高跟鞋》</span></i><i style="mso-bidi-font-style: normal;"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312;">当时音乐悠扬<span lang="EN-US">\</span>她正喝着咖啡<span lang="EN-US">\</span>人不多的星巴克<span lang="EN-US"><p></p></span></span></i></p><p></p><p></p><p></p><p></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt;"><i style="mso-bidi-font-style: normal;"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312;">她的优雅很显眼<span lang="EN-US">\</span>不经意间<span lang="EN-US">\</span>瞥见了一个轻俏的男人<span lang="EN-US">\</span>轻啜咖啡时<span lang="EN-US">\</span>正对着他飞眼<span lang="EN-US">\</span>有怒意不动声色的从她心头升起<span lang="EN-US">\</span>她轻唤服务生<span lang="EN-US">\</span>买单<span lang="EN-US">\</span>然后向着那个轻俏的飞眼<span lang="EN-US">\</span>丢下一个暗示<span lang="EN-US">\</span>高跟鞋<span lang="EN-US">\</span>笃笃笃走向了旋转门<span lang="EN-US">\</span>不用佯装<span lang="EN-US">\</span>衣着考究的飞眼<span lang="EN-US">\</span>飞身来推<span lang="EN-US">\</span>优雅的侧身<span lang="EN-US">\</span>看似无意<span lang="EN-US">\</span>哎哟<span lang="EN-US">\</span>细细的鞋跟拜访了刻意的殷勤。</span></i><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312;">此诗读后能让人忍俊不禁中会意一笑,一个高傲、大方、小资、狡黠的小姐形象活灵活现跃然纸上,灵气充盈。值得一提的是这首是大漠合风中渴望《我劫持了一段阳光》而作,她写诗触类旁通的灵气,让人赞叹不已,当然,这灵气得需要旗鼓相当的对手来激发抑或激活。<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21.75pt;"><b><i style="mso-bidi-font-style: normal;"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312;">读你——一张旧照片<span lang="EN-US"><p></p></span></span></i></b></p><p></p><p></p><p></p><p></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21.75pt;"><i style="mso-bidi-font-style: normal;"><span style="FONT-SIZE: 12pt; FONT-FAMILY: 仿宋_GB2312;">其时<span lang="EN-US">\</span>你正流连在人间四月的好天气里<span lang="EN-US">\</span>笑地<span lang="EN-US">\</span>就像一朵恣意开放的花<span lang="EN-US">\</span>不含半点的羞涩和腼腆<span lang="EN-US">\</span>连阳光的明媚也不及你的灿烂<span lang="EN-US">\</span>似乎有风吹过<span lang="EN-US">\</span>波光潋滟了湖面<span lang="EN-US">\</span>身后的小桥<span lang="EN-US">\</span>婉约着江南、樱花开到涂蘼<span lang="EN-US">\</span>小径蜂蝶翩跹<span lang="EN-US">\</span>你的笑<span lang="EN-US">\</span>定格了一个盎然的春天。<span lang="EN-US"><p></p></span></span></i></p><p></p><p></p><p></p><p></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21.75pt;"><span style="FONT-SIZE: 15pt; FONT-FAMILY: 仿宋_GB2312;">此首初读起来似乎感觉作者在华丽的词藻间拽词,但细琢磨起来,能将一幅照片用诗的语言,层次错落有致,远近有序,人景交融的合盘托出,可谓达到了诗如画的效果,从这方面来讲实属难得。<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p class="MsoNormal" align="left" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 30pt; LINE-HEIGHT: 160%; TEXT-ALIGN: left; mso-char-indent-count: 2.0; mso-pagination: widow-orphan; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;"><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt;">当代诗歌在朦胧、晦涩、虚无中被边缘化着,当然被边缘化的原因也不仅仅这些。但诗人们</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">丢掉了灵魂、血骨,</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt;">自恋式的绕弯叙述,脱离鲜明意象的跳跃式思维,甚至是拼凑的呓语来唬弄局外人,让赏者摸不到边际,共鸣根本谈不上更遑论对其进行精确的解读,当然,拒绝解读也会是某些扯虎皮作大旗籍混虚名不良诗人想要达到的目的。作为诗人,你可以意象不明,你可跳跃式思维,但鲜明抑或美的意境一定要有。举个不是很贴切的例子,娱乐圈评点林青霞的长相:眉毛、眼、鼻子、嘴每一部分单独看都不出彩,但整体的组合却是美丽的精致。意象混乱、天马行空、不知所云等等的弊病让所诗歌界出现了谁写谁看的局面,所谓诗会也沦为诗人们背着包裹贩送自己诗集的集市,更可怕的是诗歌中的精品也湮灭在这股污浊洪流中,让人无从择取。<span lang="EN-US"><p></p></span></span></p><p></p><p></p><p></p><p></p><p class="MsoNormal" align="left" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 37.5pt; LINE-HEIGHT: 160%; TEXT-ALIGN: left; mso-char-indent-count: 2.5; mso-pagination: widow-orphan; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;"><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt;">限于笔力,水皮一棍的评说难免贻笑大方<span lang="EN-US">,</span>红楼的看法甚至不无偏激,但对于自然而作<span lang="EN-US">,</span>能</span><span style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: Verdana;">抵达生活根部的诗,不见得有多高的高度和多深的深度<span lang="EN-US">, </span>不见得语言多拽多华丽<span lang="EN-US">,</span>红楼都是喜欢读和乐意读的,譬如大漠的诗……</span><span lang="EN-US" style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; mso-fareast-font-family: 仿宋_GB2312; mso-font-kerning: 0pt;"><font face="Times New Roman"> </font></span><span lang="EN-US" style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312; mso-font-kerning: 0pt;"><br/> </span><span lang="EN-US" style="FONT-SIZE: 15pt; LINE-HEIGHT: 160%; FONT-FAMILY: 仿宋_GB2312;"><p></p></span></p><p></p><p></p><p></p><p></p></blockquote></blockquote></blockquote>
[此贴子已经被作者于2008-1-14 11:17:34编辑过] |